SINGULARITY INK FILMS
Swap the model.
Keep the shoot.
The street holds. The light holds. The camera move and the exact second she turns hold to the frame. Afterwards you change her, or her jacket, or the bottle in her hand, and nothing else moves. One shoot, every SKU.
One finished spot of it comes back inside three days, with sound. No call, no invoice. Yours whether you hire us or not.
28 works
Space
The ship is out past the last star we have a name for, and you can still read the hull.
A planet, a ship through the meteors, a supernova, the galaxy
14 works, each at its moment
It takes the galaxy with it
One spacecraft, one galaxy
A moon crosses the gas giant
A ship in orbit, and a star that starts to flash
Faster and faster
27 works
Anime
She says three words in an alley, and the man with the briefcase does not wait for the fourth.
So. You have chosen. Death.
The anime reel plays here when it is cut. Until then, the best of the shelf.
He sees the camera
Anime, episode one, 0:02
Anime, episode one, 0:35
Anime, episode one, 1:59
The fight ladder, 0:11
The fight ladder, 1:33
14 works
Cgi
He comes down with the storm, and the ground breaks where he lands.
6 works, each at its moment
He comes down with the storm
The ground breaks where he lands
A rider, and what comes over the ridge
Out of the mist
Dawn over the cloud sea
The ground cracks and runs
19 works
Creatures
A stone giant came up the avenue. People kept walking.
14 works, each at its moment
It has come down Kessler at the same hour since April
Nothing has come up the cloud road in four hundred years
An animal that does not exist
Invented megafauna, held across five shot scales without the design drifting.
The black tide
Bioluminescence in moving water.
The, 1:19
The, 1:34
10 works
People
Two people stand in a field and watch the weather come in. Four kinds of weather. The same two people.
2 works, each at its moment
To camera, in the room
She is talking, walking and wearing the piece in one take.
The same performer, second setup
Same face, same wardrobe, a different position in the same shop.
Out of the shop
Night exterior, shopfront light, the piece worn rather than displayed.
The reveal
Gloved hands, a box, a counter. The oldest jewellery shot there is.
Twenty-eight second cutdown
Assembled from the coverage above.
A HUNDRED STROKES
19 works
Product
The street holds. The light holds. She turns at the same second. Only the bottle in her hand has changed.
Swap the model. Keep the shoot. The street holds, the light holds, the camera move and the exact second she turns hold to the frame. Afterwards you change her, or her jacket, or the bottle in her hand, and nothing else moves. One shoot, every SKU.
One finished spot of it comes back inside three days, with sound. No call, no invoice. Yours whether you hire us or not.
One shoot, every SKU
The product reel plays here when it is cut. Until then, the best of the shelf.
Dish soap, 45s
Suspended bubbles and a slick of green. No hands, no set.
Lip balm, 45s
A pour that holds its own highlight all the way down.
Iced tea, spot
Product in a real place, at the hour that flatters it.
Face serum, 45s
The single droplet shot, which is the one every serum brand asks for.
Matcha, 45s
Whisk, glass, suspension. Texture is the whole sell.
The client's necklace, turned
A real object, photographed from every angle it has. Nothing here was invented.
27 works
Animated
A man on the hill winds a key taller than the houses, and the moon comes up on schedule.
2 works, each at its moment
Mr. Googly Eyes
The hare panics
Performance, not just motion - the face does the beat.
Meadow, morning
The establishing shot of a world that has to stay put.
The whole cast, at the end
A dozen animals in one frame, each still himself.
The receipt
Every appearance of one character in the film, laid out. Nobody's face slips between shots.
What it was for
The same two leads, underwater, three worlds from where they started.
36 works
Worlds
The lake is so still the aurora doubles, and the horizon is the only thing you have to take on faith.
14 works, each at its moment
A whale, on the floor of the sea
A turtle over the reef
The count was eleven when his father wrote it down
THE ONE IN FRONT
The lamp under the bell was on before anyone arrived
Kelp fronds moving in a slow current against black water.
9 works
Brand Motion
Ten seconds. A brush enters on the beat. The whole shop is in it.
Twenty seconds, delivered
The brand motion reel plays here when it is cut. Until then, the best of the shelf.
State one: soiled
The before, shot honestly. It has to look bad first.
State two: rotating
The mechanism doing the one thing it is sold on.
State three: clean
Same camera position throughout, which is what makes it read.
Brand loop
Built to sit on a feed and repeat without a seam.
Second loop, same brand
A set, not a one-off - which is what a client is buying.
Motion cover art
Hand-lettered type that stays sharp while the whole frame moves behind it.
8 works
The Lab
Same two people, same hill, six kinds of weather. Nothing else was touched.
Weather as a variable
The lab reel plays here when it is cut. Until then, the best of the shelf.
One idea, four media
Three scenarios down, four media across: plasticine, 2D toon, puppet, live action. The idea is fixed; only the material moves.
One story, seven media
The same beat rendered seven ways, with the CGI arm declared as the control by name. Format is a variable, not a specialty.
One character, three media
The same character in claymation, anime cel and photoreal, across six unrelated sets. Consistency, then repeatability.
Five genres, one session
Egypt, wolves, the deep sea, deep space and a dragon - five finished episode openers cut in a single sitting off one machine.
Same scene, six named looks
One held scene in six named animation styles. This answers the most common question anyone commissioning animation asks.
The register pair
Two films, eight beats each, 362 frames each, same shoot script, same day - and both cuts land on 120.85 seconds. Only the register changes: a war documentary and a lullaby.
16 works
First Person
You are holding the camera. A flashlight, a helmet cam, your own hands, a tomb ahead.
14 works, each at its moment
The Visit Temple, 1:20
The Sealed Rings, 0:15
The Sealed Rings, 0:24
The Sealed Rings, 0:38
The Sealed Rings, 1:12
Ep017 Ember Two, 0:47
13 works
Nature
The real planet with nobody in it. Cloud seas, snowfields, waterfalls, under the ice, the seafloor.
12 works, each at its moment
The, 1:06
Eruptive, 0:03
Dead Air Episodes, 0:52
Dreamscape F1, 0:28
Dreamscape F1, 2:33
Dreamscape F2, 0:32
11 works
Wildlife
Real animals doing what real animals do. Lions, whales, a wolf, an octopus, a fish.
10 works, each at its moment
The, 2:21
St04 Choose, 0:03
The Trench That Never Answered, 0:01
The Trench That Never Answered, 0:21
The Trench That Never Answered, 0:36
The, 0:31
11 works
Weather
The elements arriving. Storms, wildfire, lightning, a dust wall, fog, snow, a geyser, lava.
10 works, each at its moment
Primal Register, 0:24
Primal Register, 0:37
Primal Register, 0:47
Primal Register, 0:18
Primal Register, 0:34
Primal Register, 0:52
9 works
Vfx
The impossible done live. Fire in a corridor, powers, lightsabers, blades in the air, a ritual.
8 works, each at its moment
Celestial, 0:09
Ladder Asylum Vampire, 1:16
Monster Ladder, 1:26
Vfx Battery2, 0:07
Vfx Battery2, 0:33
Vfx Battery2, 1:36
What things cost
How it goes
- You send one thing. A link to the page is enough.
- A finished piece of it comes back inside three days.
- You tell me what to change. Changing it is the cheap part.
- If you want more, there's a price above. If not, keep the piece.