19 works · hover to play · click for sound
Product
The street holds. The light holds. She turns at the same second. Only the bottle in her hand has changed.
Swap the model. Keep the shoot. The street holds, the light holds, the camera move and the exact second she turns hold to the frame. Afterwards you change her, or her jacket, or the bottle in her hand, and nothing else moves. One shoot, every SKU.
One finished spot of it comes back inside three days, with sound. No call, no invoice. Yours whether you hire us or not.
One shoot, every SKU
The product reel plays here when it is cut. Until then, the best of the shelf.
Dish soap, 45s
Suspended bubbles and a slick of green. No hands, no set.
Lip balm, 45s
A pour that holds its own highlight all the way down.
Iced tea, spot
Product in a real place, at the hour that flatters it.
Face serum, 45s
The single droplet shot, which is the one every serum brand asks for.
Matcha, 45s
Whisk, glass, suspension. Texture is the whole sell.
The client's necklace, turned
A real object, photographed from every angle it has. Nothing here was invented.
The same piece, close
Stones, settings and the thread between them, held.
Crystal and wire
The macro pass a jeweller judges you on.
A person who stays the same person
The top half is the same brief without a locked character sheet. The failure arm was allowed to fail.
The street is carried by the reference, not the seed
Same seed, same prompt, one variable changed. The right-hand arm returns a different street - so it is the reference that holds a scene, not luck.
The shoot
Amber dropper. This is the take everything else is cut from.
Same shoot, second SKU
Frosted jar. Same window, same leaves, same second.
Same shoot, third SKU
Matte black pump. Nothing was re-lit and nothing was re-shot.
The three side by side
One camera move, three products, one afternoon.